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After being committed for 15 years, Michael Myers, now a 21-year-old man and still very dangerous, escapes from the mental institution (where he was committed as a 6 year old) and immediately returns to Haddonfield, where he wants to find his baby sister. Anyone who crosses his path is in mortal danger.

Eddie (Goss) finds himself being forced at a gunpoint, by an unseen assailant, on a dark and brutal journey through the harsh terrain of Texas. His nemesis is Jimmy (Henriksen), a man with an aberrant agenda; armed with a rifle, a scope, walkie-talkies and a truck, he has organized a series of ambushes and mantraps designed to push Eddie to the limits of his humanity and beyond.

The Cardiff club scene in the 90’s: five best friends deal with their relationships and their personal demons during a weekend. Jip calls himself a sexual paranoid, afraid he’s impotent. Lulu, Jip’s mate, doesn’t find much to fancy in men. Nina hates her job at a fast food joint, and her man, Koop, who dreams of being a great hip-hop d.j., is prone to fits of un-provoked jealousy. The fifth is Moff, whose family is down on his behavior. Starting Friday afternoon, with preparations for clubbing, we follow the five from Ecstacy-induced fun through a booze-laden come-down early Saturday morning followed by the weekend’s aftermath. It’s breakthrough time for at least three of them.

Joe Young is a young Mormon actor who preaches the word of God in LA and can’t get anything from it. One day he stumbles on the set of new porno movie shot by well known porn director Maxxx Orbison. Maxxx chooses Joe for the title part in his new movie Captain Orgazmo. Joe soon befriends short and skinny Ben Chapleski (his sidekick in the film), who invented a ray-gun which emits a light beam that causes the most intense orgasm in whoever it hits (called Orgasmorator). Unexpectedly movie Captain Orgazmo becomes a cult hit, and Joe’s girlfriend Lisa accidentally sees the movie in the video store - and the problems begin.

Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras. Each has their reason for wanting to be there - fame, money, adventure. The prize - $1 million. The rules - if one person leaves, everyone loses. It becomes the ultimate morality test. When Danny’s beloved grandfather dies, does his greed overcome his love? When the skittish Emma finds blood on her pillow why does she still stay behind? And what dark secret does the house harbour that leaves them feeling as though they’re being watched by more than just a million pairs of eyes?

Prequal to ‘Ginger Snaps’ has the orphaned sisters Ginger and Brigette, before becoming werewolves, in 1815 Canada where they stumble into a war between Native American “Wendigos” besieging a remote trading post populated by brutal settlers.

Based on the true story of Henri Charriere, also known as Papillon, which is French for ‘butterfly’ (the character even sports a large tattoo of a butterfly. A petty criminal, Papillon is wrongly convicted of murder and sentenced to life in a French penal colony in ‘Guiane’ (French Guiana, South America). Papillon is determined to escape but attempt after attempt meets with difficulty, resulting in eventual recapture. He continues his attempts to escape despite incarcerations in solitary confinement as punishment.

Six London school-leavers attempt to make it in the world, balancing the challenge of trying to make a name for themselves in the music industry against the pressures and tragedies of everyday life.

The Cooler is Bernie Lootz, and THE COOLER is a love story about the changing fortunes of this down-at-heels loser who has made a career out of spreading his virulent bad luck on the floor of Las Vegas’ aging Shangri-La casino. When Bernie falls for a gorgeous cocktail waitress his bad luck is thrown into reverse.

First broadcast in 1974, the ITV bedsitland sitcom Rising Damp was an instant and enduring success. It starred Leonard Rossiter as the miserly and lovelorn landlord Rigsby who is constantly needling young lodger Alan (Richard Beckinsale), a science student whose long hair and earrings are symptomatic to Rigsby of the parlous effeminacy of the modern age. He’s also in love with Frances De La Tour’s dowdy spinster Miss Jones, though his tentative advances are forever rebuffed. She in turn carries a torch for Philip (Don Warrington), the elegant son of an African chief who also resides at Rigsby Towers.

Some aspects of Rising Damp have not aged well, principally Rigsby’s stream of racist jibes at Philip. Although these were doubtless well-meant and supposed to illustrate Rigsby’s foolish bigotry, you suspect that that was a convenient cover for audiences in the 1970s to enjoy racist humour. However, Rossiter’s Rigsby—stuttering, stammering, bent perpetually over backwards—remains a great comic creation, embodying all the festering prejudices, small-mindedness and self-delusion of the lower middle class Little Englander.